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Federal Writers' Project | ||||
The project also afforded writers time to work on their own. Wright, for instance, worked on the landmark novel Native Son. Algren wrote his breakthrough novel, Never Come Morning, while employed by the project. Writers on the project also influenced one another. Conroy, Algren, and other established figures advised novices like Terkel and Walker (and intimidated Bellow, who remembers that he “rather looked up to” the veterans, who “rather looked down on” him). Several African American writers on the project staff participated in the South Side Writers Group, which extended the momentum of the Harlem Renaissance of the 1920s, as Bontemps put it, “without finger bowls but with increased power.” Many of the project's writers, white and black, shared a commitment to social realism and the left politics of the Popular Front.
Bibliography
Federal Writers' Project.
Illinois: A Descriptive and Historical Guide.
1939.
Mangione, Jerre.
The Dream and the Deal: The Federal Writers' Project, 1935–1943.
1972.
Sporn, Paul.
Against Itself: The Federal Theater and Writers' Projects in the Midwest.
1995.
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